Demographics Paper - 1308 Words

DEMOGRAPHICS Demographics in the true essence of the word means the records of the human population in a country. This includes the country’s population density, ethnicity, education level, health, economic status, religious affiliations, and other aspects of the said population. In some commonly used demographics gender, race, age, income, disabilities, educational attainment, home ownership, employment status, and even location are also included. Also called demographic data, these are the characteristics of a human population as used in government, marketing and opinion research. POPULATION CONTROL. If you write these two words independently, these two are mere non-malicious, simple words, however if we join these†¦show more content†¦China, for one adopted this policy in order to curb population growth. We all know that China has the highest population in the world, encompassing 1.2 billion or twenty one percent of the worlds population. They know too well that if this would continue to grow, they will be having serious social and economic problems. As a solution, in the year 1979, Chinese authorities create a one-child-per-family policy and because male children are often regarded as more economically valuable, female infanticides increase. Infanticides are often regarded to as an inhumane act especially to us Christians however in primitive people; this thing is not new to them. Many Asian and European countries engaged in this act to prevent the population growth in their nations. Because of the ONE-CHILD-POLICY, China was able to control its population. They are considered to have the highest population rate not just in Asia but in the whole world and so this policy is more or less favorable to them. This policy was said to have been the reason why they were saved from famine and other economic disability. However, in smaller countries like Japan, this policy was effective during the first years of implementation but later on become a hindrance in the progress of their country. Japan, just like China adopted this policy to prevent the growth of their population. Now, however they feel sorry that they had implemented this policy because now, they have the what youShow MoreRelatedThis Paper Will Describe The Sociocultural And Demographic1757 Words   |  8 PagesThis paper will describe the sociocultural and demographic trends of grocery retailing. The sociocultural and demographic trends are a part of the external environmental analysis of a comp any or industry. One popular trend in the sociocultural environment of grocery retailing is the trend of becoming healthier and wanting grocery stores to offer organic and fresh foods rather than processed foods. 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Effective Communication Skills Are Important - 905 Words

Effective communication skills are important no matter who an individual is talking to, but they are vital when it comes to talking to someone who has either been a victim or a witness of a crime. A victim is at their most vulnerable state so they need to be talked to delicately and have support. Often times, witnesses of a crime are overlooked and are not questioned and they may have valuable information that could help a victim recover from the crime and give them justice. Communication in victimology and crisis management is comprised of knowing what effective communication skills are, how it gives victims a voice, how effective communication allows victims to ensure their rights and know what they are, and above all it the communicator builds a relationship with the victim which helps them to be able to recover from their trauma. 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Brand Positioning of Asiatravel Free Essays

Brand Positioning One of the aspects of brand equity is brand positioning. AsiaTravel has not distinguished itself from other competitor in terms of products and services. The company does not have clear view of which market segmentation they want to enter and has not built a good brand image. We will write a custom essay sample on Brand Positioning of Asiatravel or any similar topic only for you Order Now In order to create good brand position in the market, AsiaTravel should look into market segmentation, focuses in point-of-parity (POP) and point-of-difference (POD), and brand image. The current travel industry does not really tap into customers’ demand. Most of the airlines and travel agents compete each other in terms of price, time slot and the number of accessed cities and towns. Therefore, AsiaTravel can differentiate itself by offering packages that suit customers’ preferences by simply asking. Package is no longer fixed. Instead of sticking on one tour, AsiaTravel should guide customers on vacation tour. Secondly, market segmentation can be done to ensure each individual has the best vacation experience. There are many ways to do market segmentation, from demography, lifestyle, and to geography. (CWL Publishing Entreprises, 2009) For AsiaTravel to have a fraction of mind share in customers, it is important of AsiaTravel to know where it wants to stand, either as price leader, quality leader or specialist (CWL Publishing Entreprises, 2009). Brands that stand in the middle of the road get run over. Since many travel agents have not realized the paramount of specialization, AsiaTravel can tap this into opportunity by being quality and specialist leader. Being specialist means the tour guide has to offer besides providing information to customers, security and basic needs. AsiaTravel can sell the country culture that is not written in the book. For instances, mingle and live with the locals. The emotional and experience they get are invaluable. Moreover, tour guide can try to develop a relationship between a group of tourists and among tourists and locals. The purpose is to eventually; each individual has expanded the networking. Travelling is no longer about sightseeing, shopping and et cetera, but also building a network among each other, learning and knowing others’ culture. Being different increases the POD and the risk of switching cost, and thus leads to stronger brand position while at the same time POD ust not be compromised, as similarity becomes the minimal requirement the travel industry must meet. When the company has evidently differentiated itself from its competitors and clearly conveyed the message to the customers, the brand image will come naturally. However, when it is not managed properly, the brand image cannot leverage the brand equity. To maintain the brand image and brand position, marketing c ommunications programs must ensure customers are exposed to the all the brand elements and brand associations. Brand has to be treated like human beings possess a variety trait of characteristics (Customer Manufacturing Group, 2006). By understanding the brand personality, marketers get the whole picture of brand identity and easier to conveying the message consistently. (Customer Manufacturing Group, 2006) From the marketing program and brand positioning strategy, it is clear that AsiaTravel aims to focus customers’ preferences, being unique, caring, warmth, fun, friendly and also ensures everybody has the best pleasant vacation experience. Moreover, since AsiaTravel primarily focuses on young adults and only fly within Asia, it is an energetic, flexible, proud to be Asian and affordable brand. Therefore, it is a new brand image that AsiaTravel aims to build and maintain to be top leading organization in the travel industry. Bibliography Customer Manufacturing Group, 2006. Customer Focused Brand Positioning. CWL Publishing Entreprises, 2009. Positioning and Brand Personality. How to cite Brand Positioning of Asiatravel, Essay examples

A Commentary on a Tortured Soul free essay sample

American poet Sylvia Plath s acclaimed poesy and prose are characterized by intense uneasiness, accusative desperation, and perturbing looks of futility and defeat. AA complicated literary personality whose life is about impossible to divide from her authorship, Plath is regarded as a confessional poet, though her deeply personal Lamentationss frequently achieve catholicity through mythic allusion and archetypical symbolism. Viewed as a psychotherapeutic response to her divided character as an creative person, female parent, and married woman, Plath s vivid and frequently lurid poetry reveals the psychological torture associated with feelings of disaffection, insufficiency, and forsaking. A poet of singular force and ability, Plath exerted an unerasable influence on American literature as a collected visionary and casualty of her art. Sylvia Plath s life was ridden with personal calamity, private torment, and self induced suffering-all of which was merely of all time expressed to its fullest extent in her confessional literary plants. Ted Hughes wrote about two versions of his preface to The Diaries if Sylvia Plath, a choice of diary entries covering the old ages between 1950 and 1962. He writes about a singular adumbrative minute: Though I spent every twenty-four hours with her for six old ages, and was seldom separated from her for more than two or three hours at a clip, I neer saw her demo her read ego to anybody- except, possibly, in the last three months of her life. Her existent ego had shown herself in her authorship, merely for a minute, three old ages earlier, and when I heard it-the ego I had married, after all, and lived with and cognize good, in that brief minute, three lines recited as she went out through a room access, I knew what I had ever felt must go on had now begun, that her existent ego, best the existent poet, would now talk for itself, and would murder all those lesser and unreal egos that had monopolized the words up to that point. It was as if a dense individual all of a sudden spoke ( Malcom 3 ) . Ted Hughes was perchance the greatest critic of his late married woman, publication essays dissecting her personal life and the influence it had on her literature, every bit good as Birthday Letters, a aggregation of 88 verse forms that is widely considered to be Hughes most expressed response to her self-destruction, and to their widely discussed, politicized and explosive matrimony. The wretchedness that seemed to saturate Plath s life and authorship can be traced back to decease of her male parent a hebdomad and a half after her 8th birthday. Otto Plath died of complications following the amputation of a pes due to diabetes. This first tragic event in her life haunted her for many old ages after, motivating her to compose, Daddy , which was posthumously published in Ariel in 1965. In the morbid verse form narrated by a small miss with an Electra composite, she writes, You do non make, you do non make Any more, black shoe In which I have lived like a pes For 30 old ages, hapless and white, Barely make bolding to take a breath or Achoo. This is a direct allusion to the means how her male parent died. The verse form goes to discourse his German heritage in citing to Meinkampf, and so to one of her multiple suicide efforts: At 20 I tried to decease And acquire back, back, back to you. I thought even the castanetss would make. Coupled with morbid imagination, the storyteller s childly modulation evokes a acute province of malaise in the reader throughout the verse form, culminating in the concluding lines: If I ve killed one adult male, I ve killed two The lamia who said he was you And imbibe my blood for a twelvemonth, Seven old ages, if you want to cognize. Daddy, you can lie back now. There s a interest in your fat black bosom And the villagers neer liked you. They are dancing and stomping on you. They ever knew it was you. Daddy, dada, you bastard, I m through. This verse form has been academically discussed for his controversial usage of the Holocaust as a metaphor, and has been analyzed in the symbolism it uses to cite her complex relationships with both Otto Plath every bit good as The Hughes. Plath attended Smith College, and during the summer after her 3rd twelvemonth of college Plath was awarded a desired place as invitee editor at Mademoiselle magazine, during which she spent a month in New York City. The experience was non at all what she had hoped it would be, get downing within her a apparently downward spiral in her mentality on herself and life in general. Many of the events that took topographic point during that summer were subsequently used as inspiration for her novel The Bell Jar. Following this experience Plath made her first medically documented suicide effort by creeping under her house and taking an overdose of kiping pills. Detailss of her efforts at self-destruction are chronicled in her book. After her suicide effort, Plath was briefly committed to a mental establishment where she received electroconvulsive therapy. Her stay at McLean Hospital was paid for by Olive Higgins Prouty, who had besides funded the scholarship awarded to Plath to go to Smith. Plath seemed to do an acceptable recovery and graduated from Smith with awards in June 1955. The Bell Jar is Plath s merely fresh, and is semi-autobiographical with the names of the topographic points and people changed. It parallels her ain experiences with mental unwellness and terrible depression. In an essay in which Hughes remarks on his married woman and her literature, he states of The Bell Jar: It is a narrative in which the voice has perfected itself. It dramatizes the decisive event of her grownup life, which was her attempted self-destruction and inadvertent endurance, and reveals how this effort to eliminate herself had grown from the decisive event in her childhood, which was the decease of her male parent when she was eight. Taken individually, each episode of the secret plan is a close-to-documentary history of something that did go on in the writer s life. Her long-nursed aspiration to compose an nonsubjective novel about life was swept aside by a more pressing demand. She saw it as something other than one of inventive literature s more of import thoughts. Equally far as she was concerned, her flight from her yesteryear and her conquering of the hereafter, or in more immediate, existent footings her well-being from twenty-four hours to twenty-four hours and even her very endurance, depended perfectly on merely how efficaciously she could enforce this reinterpreta tion on her ain history, within her ain head, and how powerfully her homemade version of the rite could give prolonging form and positive way to her psychological life. Her novel had to work as both the ranking of the mythic event and the Holy Eucharist, so to talk, of her ain redemption ( On Sylvia Plath ) . As Hughes remarks here, she felt a demand to acquire purge herself of these experiences as a despairing agencies of day-to-day endurance. As in much of her poesy, the visual aspect of wild spontaneousness and free association belies the nuance of internal metaphors, lyrical beat, and tonic complexness fastidiously formulated to dramatise the terrorizing experience of natural human frights and desires. In fact, a commonalty in much of her literary work is what both herself, and critics refer to as, the separative ego . Plath struggled her full life in beguiling the multiple functions she played in society, and unlike most, was unable to happen a healthy balance between them. I saw my life ramifying out before me like the green fig tree in the narrative. From the tip of every subdivision, like a fat purple fig, a fantastic hereafter beckoned and winkedaˆÂ ¦.I proverb myself sitting in the fork of this fig tree, hungering to decease, merely because I could nt do up my head which of the figs I would take. I wanted each and every one of them, but taking one meant losing all the remainder, and as I sat at that place, unable to make up ones mind, the figs began to purse and travel black, and, one by one, they plopped to the land at my pess ( Plath 62, 63 ) . It was this internal struggle, along with traumatising events throughout her life, which caused her to happen an flight in her authorship. Her poesy and prose was an mercantile establishment for the anguish she experienced, but could neer externally express, therefore paving the manner for her profound impact on literature with her confessionalist manner and societal commentary on feminism. Plath continued her surveies at Newham College, in Cambridge, where she actively wrote poesy and on occasion published her work in the pupil newspaper Varsity. It was at a party at Cambridge that she foremost met English poet Ted Hughes, and after an unforgettable meeting and stormy wooing, they married in June of 1956. Upon larning Plath was pregnant the twosome moved back to the United Kingdom. In 1960, while in London, Plath published her first aggregation of poesy, The Colossus. In February 1961 she suffered a abortion. Plath s matrimony to Hughes was fraught with troubles, peculiarly environing his matter with Assia Wevill, and the twosome separated in late 1962. While many of Plath s diaries were saturated in in writing item of their turbulent relationship, much of Hughes work was besides influenced by it. In an interview with Hughes, published in 1995, he says, We dreamed a batch of shared or complementary dreams. Our thought transference was intrusive. I do nt cognize whether our poetry exchanged much, if we influenced one another that manner non in the early yearss. Maybe others see that otherwise. Our methods were non the same. Hers was to roll up a pile of graphic objects and good words and do a form ; the form would be projected from someplace deep interior, from her really clearly evolved myth. It appears clearly evolved to a reader now despite holding been wholly unconscious to her so. My method was to happen a thread terminal and pull the remainder out of a concealed tangle. Her method was more painterly, mine more narrative, possibly ( Interview ) . The City is a verse form by Hughes in which he remarks on his function in Plath s life-a bystander watching a anguished psyche work herself in an abysmal death. He writes: Your verse forms are like a dark metropolis Centre You novel, your narratives, your diaries, your letters are suburbs Of this large metropolis. The hotels are lit like office blocks all dark With bookmans, priests, pilgrims. It s at dark Sometimes I drive through. I merely happen Myself driving through, traveling slow, merely Rolling in my ain darkness, chew overing What you did. Nearly ever I glimpse you at some crossing Gazing upward, lost, 60 old ages old Plath took her ain life after she wholly sealed the suites between herself and her dormant kids with wet towels and fabrics. Plath so placed her caput in the oven while the gas was turned on and the pilot visible radiation was non illuminated. The following twenty-four hours an enquiry ruled that her decease was a self-destruction. Plath began maintaining a journal at age 11, and kept diaries until her self-destruction. Her grownup journals, get downing from her first-year twelvemonth at Smith College in 1950, were foremost published in 1980 as The Journals of Sylvia Plath. Hughes faced unfavorable judgment for his function in managing the diaries: he claims to hold destroyed Plath s last diary, which contained entries from the winter of 1962 up to her decease. He claims, What I really destroyed was one diary which covered possibly two or three months, the last months. And it was merely sad. I merely did nt desire her kids to see it, no. Particularly her last yearss ( Interview ) . In add-on, two old ages after her self-destruction, her 2nd book of poesy, Ariel, was published. This book portrayed a dramatic bend in her authorship described as being more disconnected sardonic. It includes the verse form, Tulips , Daddy , and Lady Lazarus -one of her most ill-famed verse forms chronicling her multiple e fforts at self-destruction. Profoundly upseting and profoundly divine by her relationship with Hughes, she writes: And like the cat I have nine times to decease. aˆÂ ¦ The peanut-crunching crowdA A A Shoves in to see Them unwrap me manus and pes The large strip tease.A A A Gentlemans, ladies These are my handsA A A My articulatio genuss. I may be skin and bone, However, I am the same, indistinguishable woman.A A A The first clip it happened I was ten.A A A aˆÂ ¦ Diing Is an art, like everything else.A A A I do it exceptionally good. I do it so it feels like hell.A A A I do it so it feels existent. I guess you could state I ve a call. aˆÂ ¦ Herr God, Herr LuciferA A A Beware Beware. Out of the ash I rise with my ruddy hairA A A And I eat work forces like air. This verse form is frequently used as an illustration of Plath s morose, cutting tone and ghastly imagination. In her warning towards God and Lucifer, she discusses how she will lift once more, as she had survived suicide many times before-this is a remark on feminism and the function of adult females in society and how they can non be oppressed or undermined. Coupled with that, she ends with, And I eat work forces like air, which can be straight correlated to her relationship with Ted Hughes. When asked about the publication of Ariel, Hughes says, Well, cipher in the U.S. wanted to print the aggregation as she left it. The one publishing house over there who was interested wanted to cut it to twenty verse forms. The fright seemed to be that the whole batch might arouse some kind of recoil some repugnance. I published the contents and order of her ain typescript so if anybody wants to see what her Ariel was it s rather easy. On the other manus, how concluding was her order? She was everlastingly scuffling the verse form in her typescripts looking for different connexions, better sequences. She knew there were ever new possibilities, all fluid ( Interview ) . Plath is widely praised for her proficient achievement and blunt penetration into terrible psychological decomposition and experiential anxiousness. Despite her early decease, critics continue to wonder at her rapid artistic development over a brief period of lone several old ages. The contents of The Colossus and Ariel, along with extra composings from the The Bell Jar, represent Plath s chief organic structure of work, upon which her repute as a poet rests. Plath s poesy is typically criticized for its theatrical show of emotion, inordinate self-absorption, unaccessible personal allusions, and compulsion with decease. Though subsequently adopted as a heroine and sufferer of the feminist motion, Plath s relentless attempts to deconstruct and animate her self-identity in the surpassing linguistic communication of metaphor and symbolism remains among her greatest accomplishments. A talented and much admired literary figure, Plath is considered among the most influential and controvers ial American poets of the 20th century.

El Greco Essays (1715 words) - Visual Arts, Art History,

El Greco The Agony In the Garden, a mannerist style of art by EL Greco, proclaims a sense of spiritual power of religious faith which accomplishes El Greco's aim to move his audience. El Greco was born on the island of Crete and lived from 1541 to 1614. He represented the most characteristic figure of Spanish Mannerism. El Greco was influenced by and became acquainted with the art of Titian and Jacopo Bassano in Venice where he studied in 1566. In addition to visiting Italy, El Greco made his way to Rome, Parma and probably Florence. On his travels he became more familiar with the work of Parmigianino and the work of Correggio. In El Greco's use of form can be seen Florentine Mannerism. Venetian Mannerism can be seen in the peculiar brilliance of his coloring. The plans for the construction of the Escurial and the discussion of works of art being selected by Philip II, probably attracted El Greco to Spain. However, El Greco failed to satisfy the Italianate tastes of the King. He lived virtually uninterruptedly in Toledo from 1575 on. In Toledo he formed friendships with men of advanced beliefs and humanist interests. The monastic, from which his prime commitment came, were glad to decorate their churches and cloisters with his elevated visionary paintings. El Greco paintings bordered on a supernatural world of creative fantasy. Most of his paintings survive in a number of copies painted in his own hand. El Greco's studio which employed a large number of assistants also produced many contrasts of his works. People were very curious about his paintings with their unusual setting and flickering impressiveness. In The Agony In The Garden there are two planes displayed in the art work that are disconnected by a few bare branches that contain fugitive leaves. The upper plane consists of the vision of Christ set against a large rock with a few trees. Christ is kneeling in a reddish-purple robe, with hands stretched out toward the ground. He turns toward the floating angel who is painted in pearly greys. Behind the angel, on the left are spinning clouds. Preceding from an outline of an imaginary town, on the right, are soldiers carrying flags. The inconceivable impression of the picture is due to the contrast of not only passionate and cerebral but in terms of colour- between the two planes and their figural content as well. This painting is the last date of the El Greco pictures in Budapest and is from the last period of the artists life. The Biblical occurrence illustrated is standardized on two levels, one above the other. The group of the three sleeping apostles fill the lower plane. We find comparable groups of apostles in pictures by Giovanni Bellini. El Greco returns to Quattrocento etiquette, especially in the manner in which the sleeping gray-haired apostle bends his arm around his head. Of the abundant versions of this painting in the artist's own hand there is a smaller copy in the Museum at Lille, and other variants are to be found in the Episcopal palace in the Museum of Fine Arts in Buenos Aires. The variant most similarly related to the painting in Budapest is the larger-scale version in the Church of Santa Maria at Andujar which displays other works of mannerist art. The mannerist style thrived at the same time as High Renaissance and Baroque art. Mannerism, like many other names attached to so many other periods of art, was a name conceived in disdain and impudence. Maniera, meaning maner, was correlated with the artist who worked in the manner of someone else. Like an imitator who adapted and sometimes perfected the forms of another. However, there are characteristics of the Mannerist style which disconnected it from the period of the High Renaissance as well as the distinguishing it from the emerging Baroque. A number of crucial artist of Mannerism have displayed meaningful works. Only in the last ninety years has Mannerism come to be respected as an independent style in the history of art. Before representatives of the style were classified under either the Renaissance or the Baroque. Some of the most excellent Mannerist were banned from the gallery walls and the church altars. However, they produced works of great emotional impact. Probably the findings of El Greco early in this century provided for the re-judgment of Mannerism as a style in its own right. Mannerism became a style bleeding with imaginative content which had deliberately broken with reality,

Electric monitoring essays

Electric monitoring essays The focus of the criminal justice system in Canada and all around the world for hundreds of years has been retributive justice. One of the main ideas has been you do the crime, you do the time. Thus, all of our prisons were beginning to fill up and exceed their capacity. This was a result of basically everyone who was found guilty of committing an offence under the criminal code, was sentenced to time in jail or prison. Therefore, during the 1980s and early 1990s, like many countries, Canada experienced significant prison population growth(Bonta, Wallace-Capretta Thus, during the late 1980s and early 1990s governments developed what is known today as community based sentence orders. These community based sentence orders would allow offenders to serve their sentence in the community. There were different levels of severity that each community sentence order had like community service hours being one of the least restrictive measures to electronic monitoring which is the most restrictive community based sentence that an offender can be placed on. Other community based senten...

Financial Management in Nonprofit Organizations Research Paper - 1

Financial Management in Nonprofit Organizations - Research Paper Example In fact, such regulative provisions aim to ensure that the organization’s funds are properly used for the stated purpose. As compared to for-profit organizations, a nonprofit enterprise is not allowed to keep huge amount of surpluses with it. Since a nonprofit organization’s financial management is not liable to take any level of risk, it can operate freely with greater degree of certainty. In contrast, for-profit organizations bear some levels of business risks including debt financing. Generally, both nonprofit organizations and for-profit organizations use the incremental budgeting technique. Undoubtedly, restricted financial management operations can reduce nonprofit organizations’ probability of failure. Introduction The term financial management simply refers to the process of planning toward the future of an individual or a business organization so as to ensure a positive inflow and outflow of cash. To be more specific, â€Å"financial management pertains to the optimal sourcing and utilization of financial resources of a business enterprise†; and the two key processes including resource management and finance operations constitute this process (Sofat & Hiro, 2011, p.20). Theoretical frameworks suggest that the application of financial management techniques in non-profit organizations is entirely different from its application in for-profit organizations. This paper will discuss the financial management practices in nonprofit organization. It will also compare and contrast the applications of financial management techniques in nonprofit organizations with that of for-profit organizations. Core Concepts of Financial Management Core concepts of financial management encompass capital budgeting, cash management, cost of capital, capital structure planning, and dividend policy. Capital budgeting is a financial tool used to analyze whether an organization’s long term investments like new plants, machinery, research and develo pment projects, and other new products are worth pursuing. Cash management activities try to maintain an effective balance between inflow and outflow of cash. From the management view point, cost of capital represents the cost of a firm’s funds including debt and equity. The concept of capital structure refers to the way an organization uses particular combinations of ‘equity, debt, and hybrid securities’. Dividend policy refers to a strategic measure that an organization uses to decide the level of returns to be paid to its shareholders. The application of these financial management concepts depends on a number of factors in addition to the size and nature of the organization. Among them, the firm’s efficacy in applying these concepts is vital in order to exercise a control over the organization’s future cash flows. Therefore, firms usually establish separate finance departments so as to deal with their day to day financial operations. Financial Ma nagement in Nonprofit Organizations Unlike for-profit organizations, the p ­rimary goal of a nonprofit organization is not shareholder value maximization; instead, it intends to meet specific socially desirable needs. As Griswold and Jarvis (2011) point out, nonprofit organizations lack financial flexibility as such institutions heavily depend on resource providers that are not engaged in exchange transaction. The resources provided are